
Rainy Night In New Orleans (12/26/07) — Image by kenne
“In a consumer society there are inevitably two kinds of slaves:
the prisoners of addiction and the prisoners of envy.”
— Ivan Illich

Rainy Night In New Orleans (12/26/07) — Image by kenne
— Ivan Illich





In December of 2007 I took this picture of a building on Decatur Street in New Orleans.
Over the years I have created several photo-art pieces from the original image. Here are just a few.
— kenne

Royale Street in New Orleans (December 2014) — Image by kenne
For years, after celebrating Christmas with family and friends,
Joy and I would go to one of our favorite ‘getaways,’ New Orleans.
Big Easy dreaming
Strolling through the French Quarter
Existential being.
— kenne

A New Orleans Moment (12/27/14) — Image by kenne
— Bob Dylan

New Orleans Corner Store Window Display (October 6, 2001) — Photo-Artistry by kenne
The Moon
— Abi Mott

New Orleans Street Band at Toulouse & Royale (03/10/04) — Photos by kenne
— kenne
A Jackson Square Morning — Photo-Artistry by kenne
— kenne
Kenne & Joy In New Orleans (12/26/07) — Photo-Artistry by kenne
Decatur Street, New Orleans (12/26/07) — Photo-Artistry by kenne
Heart Within A Heart
Foggy Morning On The Square (Jackson Square) — Photo-Artistry by kenne
— kenne
A Teacher’s Teacher: Ellis Marsalis (November 14, 1934, April 1, 2020) Image Source: Chicago Tribune
All of us reach an age when it seems like every day someone of our generation dies, even more now with the COVID-19 pandemic. Sadly, on April 1, a giant in education and jazz became one of the numbers in the current pandemic.
In the 1980s, Ellis Marsalis, with his sons, became the fresh new face to a resurgence of jazz in the last decades of the 20th century. “My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis said in a statement. “He poured everything he had into making us the best of what we could be.”
Ellis Marsalis had a light and graceful touch at the piano, allowing his enter fellings to pour out like a gentle flowing mountain stream. He had held a weekly gig for decades at Snug Harbor, one of New Orleans’s premier jazz clubs, before giving it up in December.
The New Times critic, wrote: “Sticking mainly to the middle register of the keyboard, the pianist offered richly harmonized arrangements in which fancy keyboard work was kept to a minimum and studious melodic invention, rather than pronounced bass patterns, determined the structures and tempos.”
One of my favorite Cole Porter songs done superbly by Ellis and his son Branford.
Bryan Lee — Photo-Artistry by kenne
Blues musician Bryan (Braille Blues Daddy) Lee has been a fixture on Bourbon Steet for
four decades. He was frequently a live music stop for us during our many trips to New Orleans
during our time living in the Houston area. We first saw him at the Old Absinthe House on Bourbon Street.
When Katrina hit New Orleans in 2005, like a lot of New Orleans musicians he began
touring more through Texas and up into the mid-west. In 2006 we saw him and his
band at a live music bar in Conroe, Texas north of Houston. The above photo artistry
image was created from a photo taken during one of his stops in Conroe.
— kenne
Foggy Morning In Jackson Square — Photo-Artistry by kenne
New Orleans Gallery Window — Photo-Artistry by kenne
— kenne
Foggy Morning In New Orleans (December 2014) — Photo-Artistry by kenne
Beauty in the Rain
If you fancy that you have an eye for beauty,
test it on a rainy day…
A cold and foggy day that wears no make-up.
Test it in the shades of gray
that consume the sun and rob the flowers of their colors,
leaving them forlorn in dingy places
like tired and aging ballerinas in faded dancing clothes;
huddling in the drafty wings of empty opera houses.
Gaze across the rooftops and the chimneys,
painted like Utrillo’s Paris
On the canvas of the smoke and fog
of a dying afternoon in winter.
It takes no eye for beauty
to find it on a lovely day.
It thrusts itself upon you
in the sunshine and the warm.
But it hides; becomes aloof, elusive
in the cold and in the rain.
— Jim Metcalf