
Decatur Street Painting by kenne (2007)
The House That Leans to Jazz

Decatur Street Painting by kenne (2007)
The House That Leans to Jazz

Memphis Beale Street — Image by kenne

Ramsey Lewis — Getty Images
— kenne
Here’s a link to a 2009 blog posting on Ramsey Lewis: https://kenneturner.com/2009/11/01/flashback-seeing-ramsey-lewis-at-the-london-house/
A Jackson Square Morning — Photo-Artistry by kenne
— kenne
A Teacher’s Teacher: Ellis Marsalis (November 14, 1934, April 1, 2020) Image Source: Chicago Tribune
All of us reach an age when it seems like every day someone of our generation dies, even more now with the COVID-19 pandemic. Sadly, on April 1, a giant in education and jazz became one of the numbers in the current pandemic.
In the 1980s, Ellis Marsalis, with his sons, became the fresh new face to a resurgence of jazz in the last decades of the 20th century. “My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis said in a statement. “He poured everything he had into making us the best of what we could be.”
Ellis Marsalis had a light and graceful touch at the piano, allowing his enter fellings to pour out like a gentle flowing mountain stream. He had held a weekly gig for decades at Snug Harbor, one of New Orleans’s premier jazz clubs, before giving it up in December.
The New Times critic, wrote: “Sticking mainly to the middle register of the keyboard, the pianist offered richly harmonized arrangements in which fancy keyboard work was kept to a minimum and studious melodic invention, rather than pronounced bass patterns, determined the structures and tempos.”
One of my favorite Cole Porter songs done superbly by Ellis and his son Branford.
Live Jazz In The Old Pueblo — Photo-Artistry by kenne
The Weary Blues
— Langston Hughes
Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway . . .
He did a lazy sway . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man’s soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
“Ain’t got nobody in all this world,
Ain’t got nobody but ma self.
I’s gwine to quit ma frownin’
And put ma troubles on the shelf.”
Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
“I got the Weary Blues
And I can’t be satisfied.
Got the Weary Blues
And can’t be satisfied—
I ain’t happy no mo’
And I wish that I had died.”
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that’s dead.
“Come Blow Your Horn” — Image by kenne
Jazz in the Old Pueblo
where music fills the air
on summer evenings,
where the dry air is cool
after a hot day in the desert.
— Dave Van Ronk
Image by kenne
— kenne
Cruisin’ Down the Road Video
Evening Jazz Wall Sculpture by Warren Cullar (Benson Sculpture Garden, Loveland, CO) — Image by kenne
WORD JAZZ
“You Know the Story” by Ken Nordine from the album, A Transparent Mask
Kenneth Harris (May 20, 2017) — Image by kenne
“Stuff.”
One of my favorite words is stuff.
“That’s Super Stuff!”
“Make Stuff”
“I Love Free Stuff”
“The Good Stuff”
“My Stuff”
“Stuff in My Life”
“Stuff That Works”
“The Right Stuff”
“How’s Your Stuff?”
There are so many variations on the use of the word stuff. This last May we attended the last “Ken and Mary’s Blues Project” house concert in Porter, Texas. Before the music started, Kenneth Harris told the story of how the Project came about from his listening to Sunday blues on Houston’s KPFT. One Sunday he was listening to Nuri Nuri’s Blues Brunch.
“. . . he [Nuri] was interviewing this guy, and they played some of his stuff, and I called Nuri on the phone, and I said Nuri do you know anybody in the Houston area that can do that type of stuff, and he told me you meet me at Billy Blue’s like next Saturday night.”
Long story short, Kenneth found that stuff in the form of the Moe Hansum Band.
As I listen to Kenneth’s story I couldn’t help but think of Guy Clark’s “Stuff that Works.”
Stuff that works, stuff that holds up
The kind of stuff you don’ hang on the wall
Stuff that’ real, stuff you feel
The kind of stuff you reach for when you fall
Continuing on this theme of “Stuff,” in the 1970’s there was a jazz-funk band called “Stuff.” The members were Gordon Edwards (bass), Richard Tee (keyboards), Eric Gale (guitar), Cornell Dupree (guitar), Chris Parker (drums), and later Steve Gadd (drums).
There is good stuff and not so good stuff, because of what we do with our stuff. We have too much stuff. Earth’s beauty is being scarred by the stuff we throw away daily. As someone who spends a lot of time outdoors admiring nature’s beauty, I see stuff on our trails, hanging in trees, blowing in the wind, in our lakes and streams.
In December of 2007, a short documentary was released. The documentary was critical of excessive consumerism and promotes sustainability, which has gone from a movie to a movement over the last ten years — a Community of more than a million changemakers worldwide, working to build a more healthy and just planet. This land is our land! You can join the movement.
A Yellow Bird of Paradise Blossom — Image by kenne
Sunday morning
after a late night,
a time to relax
and listen to the dark
rhythmic sounds of
Avishai Cohen —
“There is a crack in everything.
That’s how the light gets in.”
Enjoy the grove as you
drift into solitude.
— kenne
Morning is Bright — B&W Image by kenne
— kenne
Ken Nordine Album Cover: “How Are Things In Your Town?” 1972
Growing up in the Chicago area as a teen and young adult, I often I would listen late night jazz on the radio. One of the shows was that of Ken Nordine reading his poetry while playing jazz. He has one of the best radio voices anywhere. You may have heard his voice and didn’t know who it was, since over the years he has done a lot of voice-over TV commercials. Since his radio show in the sixties, he has done several Word Jazz albums. One of his albums that I have is “How Are Things In Your Town,” which includes, “What Time Is It?”
kenne
Jazz at the Old Pueblo — Image by kenne
— E. E. Cummings