Over the last forty years, Joy and I have spent many days in one of our favorite cities, New Orleans. In this image, she looks away because she is not feeling well, so we stop for a bite to eat. Looking back on this moment, it was probably not the best time for me to photograph her.
Tucson, San Antonio, and New Orleans — Photo-Artistry by kenne
"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?
"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes
"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."
In December of 2007 I took this picture of a building on Decatur Street in New Orleans. Over the years I have created several photo-art pieces from the original image. Here are just a few.
Kenne & Joy In New Orleans (12/26/07) — Photo-Artistry by kenne
Decatur Street, New Orleans (12/26/07) — Photo-Artistry by kenne
Heart Within A Heart
Ther is a heart within your heart A place go when all the trouble starts When your world spins upside down and falls apart There is a heart within your heart
There is a soul within your soul A secret room only angels know Come on baby, leave your fear, rise up and go To the soul within the soul
A Teacher’s Teacher: Ellis Marsalis (November 14, 1934, April 1, 2020) Image Source: Chicago Tribune
All of us reach an age when it seems like every day someone of our generation dies, even more now with the COVID-19 pandemic. Sadly, on April 1, a giant in education and jazz became one of the numbers in the current pandemic.
In the 1980s, Ellis Marsalis, with his sons, became the fresh new face to a resurgence of jazz in the last decades of the 20th century. “My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis said in a statement. “He poured everything he had into making us the best of what we could be.”
Ellis Marsalis had a light and graceful touch at the piano, allowing his enter fellings to pour out like a gentle flowing mountain stream. He had held a weekly gig for decades at Snug Harbor, one of New Orleans’s premier jazz clubs, before giving it up in December.
The New Times critic, Stephen Holden wrote: “Sticking mainly to the middle register of the keyboard, the pianist offered richly harmonized arrangements in which fancy keyboard work was kept to a minimum and studious melodic invention, rather than pronounced bass patterns, determined the structures and tempos.”
One of my favorite Cole Porter songs done superbly by Ellis and his son Branford.