Houston’s Little Joe Washington (April, 2008) — Image by kenne
“Personal inconvenience, experience, and environmental impact notwithstanding, a willingness to drive all over and beyond Harris County has its rewards for the Houston blues aficionado wanting to make the rounds. Not only is that travel necessary to access the various widely separated business establishments featuring live performances on a weekly basis, but for those in the know, it’s also the key to experiencing some unique presentations of the music — both of which evoke an earlier era.”
— Roger Wood (Down in Houston: Bayou City Blues, 2003)
The Blues On Campus (Lone Star College, Montgomery – 02/19/03) — Photo-Artistry by kenne
“The blues are the roots and the other musics are the fruits. It’s better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues.”
Texas Johnny Brown at Houston’s Shakespeare Pub — Photo-Artistry by kenne (Click on Texas Johnny Brown to see archived blog posting on TJB)
Texas Johnny Brown is a major talent who simmered on the blues scene longer than all the beef stew cooked in the ’40s, the decade when he first began playing and recording. Like pianist Johnny Johnson of St. Louis, Brown is an artist who did not get a chance to record a full album as a leader until he had been in the music business more than half-a-century. Also like Johnson, the results of coming in so late in the game have been a pair of highly acclaimed, prize-winning albums including the righteous Blues Defender. Brown can take plenty of the credit, since he has taken over almost complete control of his ow arranging, production, and mixing, as well as the string bending and blues moaning. He began his career as a sideman for the Duke and Peacock outfits in the ’50s about which discographers make comments such as “… the record keeping at that time was less than desirable.” As a result, some of Brown’s playing on releases by artists such as Lightnin’ Hopkins and Joe Hinton remains uncredited. The guitarist, singer, and songwriter began his professional career as an original member of the great Amos Milburn band known as the Aladdin Chickenshackers. Brown’s picking is killer on early Aladdin recordings by both Milburn, and on Ruth Brown’s first Atlantic sides. Atlantic allowed Brown to make a few recordings of his own in 1949, buoyed by the enthusiasm the label had for Milburn, who played behind his sideman on these sessions along with the rest of the Aladdin Chickenshackers. T-Bone Walker is the dominating force in Brown’s stylistic palette, an influence that was considered something of a driving permit for any guitarist venturing out of Houston during this period. Before finally getting the biggie recording opportunities in the late ’90s, Brown did an ARC session in Houston in the early ’50s that was never released. He also performed regularly with Junior Parker during that decade, remaining based out of Houston. As a songwriter, Brown’s most famous work is “Two Steps from the Blues,” a big hit for Bobby “Blue” Bland, with whom he also toured as a lead guitarist in the ’50s and ’60s. By the ’80s, he was considered only sporadically active on the blues scene, but this turned out to be only a temporary brown-out, so to speak.
Chris Duarte at the Cactus Moon, Humble, Texas (January 2003) — Images by kenne
When it comes to Blues/Rock guitar players, Texas has produced some of the best. I saw Chris live several times in the late ’90s and early ’00s, and each time his performance drained me. He is very intense and emotional — literally mindblowing.
Does it dry up like a raisin in the sun? Or fester like a sore— And then run? Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet?
We first saw Gary Clark Jr. in Humble, Texas at the Cactus Moon at age sixteen (November 2000). The original image for the above art was taken the following September at the Miller Outdoor Theater in Houston where he appeared with Diunna Greenleaf.
Texas Johnny Brown at The Shakespeare Pub In Houston (11/15/09) Photo-Artistry by kenne
“We used to have guitars sessions,
guitar battles on Sunday out there at Club Matinee.
And there’d be about four or five of us there,
and man, guitars would be ringing like everything!
It was wild!”
— Texas Johnny Brown (Down in Houston: Bayou City Blues)
Dancing to the Blues at Houston’s, Mr. Gino’s Lounge (03/09/08) — Image by kenne
The Blues
“The fundamental form in all of American music — that’s what the blues is. It’s in every folk song, The sound of the banjo and the sound of the guitar. It’s in the sound of ragtime, it’s in the sound of John Philip Sousa’s marches. It’s hard to get the blues out of your sound. Blues is also call and response, which is democratic form. It generally has lyrics that described something tragic or sad. But many times it reverses that and gives you something that’s hopeful.”
Jonn played lead guitar for Diunna Greenleaf for several years before going out on his own. The following video combines two clips, one in a club setting, another in a festival setting in which Jonn and Bob Corritore jam with Diunna.
Blues Festival — Image by kenne
Raising Funds For The Friends of The Blues (09/06/02) — Images by kenne
Texas Johnny Brown at The 
Dancing to the Blues at Houston’s, Mr. Gino’s Lounge (03/09/08) — Image by kenne
Ken & Mary’s Blues Project with Ashton Savoy & The Moe Hansum Band (10/18/02) — Image by kenne
