Houston’s Little Joe Washington (April, 2008) — Image by kenne
“Personal inconvenience, experience, and environmental impact notwithstanding, a willingness to drive all over and beyond Harris County has its rewards for the Houston blues aficionado wanting to make the rounds. Not only is that travel necessary to access the various widely separated business establishments featuring live performances on a weekly basis, but for those in the know, it’s also the key to experiencing some unique presentations of the music — both of which evoke an earlier era.”
— Roger Wood (Down in Houston: Bayou City Blues, 2003)
Texas Johnny Brown at Houston’s Shakespeare Pub — Photo-Artistry by kenne (Click on Texas Johnny Brown to see archived blog posting on TJB)
Texas Johnny Brown is a major talent who simmered on the blues scene longer than all the beef stew cooked in the ’40s, the decade when he first began playing and recording. Like pianist Johnny Johnson of St. Louis, Brown is an artist who did not get a chance to record a full album as a leader until he had been in the music business more than half-a-century. Also like Johnson, the results of coming in so late in the game have been a pair of highly acclaimed, prize-winning albums including the righteous Blues Defender. Brown can take plenty of the credit, since he has taken over almost complete control of his ow arranging, production, and mixing, as well as the string bending and blues moaning. He began his career as a sideman for the Duke and Peacock outfits in the ’50s about which discographers make comments such as “… the record keeping at that time was less than desirable.” As a result, some of Brown’s playing on releases by artists such as Lightnin’ Hopkins and Joe Hinton remains uncredited. The guitarist, singer, and songwriter began his professional career as an original member of the great Amos Milburn band known as the Aladdin Chickenshackers. Brown’s picking is killer on early Aladdin recordings by both Milburn, and on Ruth Brown’s first Atlantic sides. Atlantic allowed Brown to make a few recordings of his own in 1949, buoyed by the enthusiasm the label had for Milburn, who played behind his sideman on these sessions along with the rest of the Aladdin Chickenshackers. T-Bone Walker is the dominating force in Brown’s stylistic palette, an influence that was considered something of a driving permit for any guitarist venturing out of Houston during this period. Before finally getting the biggie recording opportunities in the late ’90s, Brown did an ARC session in Houston in the early ’50s that was never released. He also performed regularly with Junior Parker during that decade, remaining based out of Houston. As a songwriter, Brown’s most famous work is “Two Steps from the Blues,” a big hit for Bobby “Blue” Bland, with whom he also toured as a lead guitarist in the ’50s and ’60s. By the ’80s, he was considered only sporadically active on the blues scene, but this turned out to be only a temporary brown-out, so to speak.
Chris Duarte at the Cactus Moon, Humble, Texas (January 2003) — Images by kenne
When it comes to Blues/Rock guitar players, Texas has produced some of the best. I saw Chris live several times in the late ’90s and early ’00s, and each time his performance drained me. He is very intense and emotional — literally mindblowing.
Until COVID-19, gentrification was the big enemy of live music venues.
Now many these of these venues have closed forever because of the pandemic.
Maybe it’s time to bring back the old fashion bandstand in public parks.
People getting together to experience live music is a necessary
part of developing and maintaining a sense of community.
— kenne
Blue Door Texas Ice House On A Sunday Afternoon In East Texas (10/26/01) — Photo-Essay by kenne
Gene Kelton at the Blue Door Texas Ice House
Blue Door Texas Ice House
Blue Door Texas Ice House
Blue Door Texas Ice House
Blue Door Texas Ice House
Sunday at The Blue Door
Blue Door Texas Ice House
Gene Kelton at the Blue Door
Dancing to the Music of Gene Kelton and the Die Hards
(Gentrification Killed the Blue Door Years Ago.)
Sherman Robertson (Houston, TX, 05-11-04)– Image by kenne
All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die.
Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
The Rhythm Room, Phoenix, Arizona (February 28,2020) — Photo-Artistry by kenne
It’s been several years since we have seen our good friend Diunna Greenleaf live.
So, when we learned that she was going to appear at The Rhythm Room in Phoenix,
On February 28th, we made plans.
Blues musician Bryan (Braille Blues Daddy) Lee has been a fixture on Bourbon Steet for
four decades. He was frequently a live music stop for us during our many trips to New Orleans
during our time living in the Houston area. We first saw him at the Old Absinthe House on Bourbon Street.
When Katrina hit New Orleans in 2005, like a lot of New Orleans musicians he began
touring more through Texas and up into the mid-west. In 2006 we saw him and his
band at a live music bar in Conroe, Texas north of Houston. The above photo artistry
image was created from a photo taken during one of his stops in Conroe.
At a February of 2009 fundraiser
for Diunna Greenleaf, Mean Gene Kelton
was one of several musicians playing for the cause.
In addition to being a great musician,
Mean Gene is a master storyteller
in the oral tradition of what I refer to as
“Rural Mississippi Backporch” style — I love it!
In this video, Mean Gene shares a Dallas Texas gig experience
he and his band had traveled with Diunna, before going into
playing, “I Play the Blues for a Livin’.”
Blue Door Texas Ice House On A Sunday Afternoon In East Texas (10/26/01) — Photo-Essay by kenne
The Rhythm Room, Phoenix, Arizona (February 28,2020) — Photo-Artistry by kenne
Charley Parker, A.J. Murphy, Diunna Greenleaf, Kenne Turner, Dale Armet
Bob Corritore and Diunna Greenleaf — Photos and Video by kenne
Bryan Lee — Photo-Artistry by kenne
Blues On The Move (June 2007) — Image by kenne
Blues Legend 
Mean Gene Kelton at The Rhythm Room On Washington in Houston, June 14, 2003 — Image by kenne
Montgomery County Friends of the Blues, 2002 Fund Raiser — Image by kenne
