Ken & Mary’s Blues Project — The Last Waltz
Computer Art by kenne
Down the east Texas road, there is rain in the wind as the musicians’ setup for an evening of the blues with friends gathering the last time at Ken and Mary’s Blues Project,
the best house concert ever.
In recent years we’ve missed some of the concerts in
the woods having moved
to the desert southwest, then last February we received word of the “Last Waltz” for the Blues Project — plans were made to immediately.
With Coleman cooler,
yard chairs and
cameras in tow we walked over old
bottle caps toward the Blues Project stage, to be greeted with hugs and kisses — Welcome!
Mary announced the food
was ready and Ken shared some
background on the beginning
of what became the Blues Project.
Not long after the music began, lighting lit up the darkening clouds with thunder adding to
the magical evening.
Other than an occasional drop or two, the music played on until, as if the plugged was pulled, the dark sky began to fall. A rain delay was called as the tarps were brought out to covered the equipment.
Using our smartphones we could see radar showing the rain would be lasting for an hour or more. As has happened in the past, the musicians gathered inside to continue an evening of music.
Most of those who remained were inside or on outside porches, knowing the best of the evening was yet to come — jamming the night away on a hot, humid night in the piney woods of east Texas.
It may be the last waltz
for the Blues Project
but that don’t mean
the party is over,
the music still plays on
and on, and on — may
we stay forever young.
We’ve got to go, but our friends will stick around.
Lady Bikers at an Ice House in East Texas in a “Show Us Your Tits” Contest — Computer Art by kenne
The Perfect Trilogy
On a hot Sunday we ride a twisting two-lane highway to a Texas Ice House Near Cut & Shoot where the beer and blues music releases bikers inner desires listening to “My Baby Don’t Wear No Panties” fueled by women showing their tits — blues, beer, and tits, the perfect trilogy.
Ray Bonneville at Ken and Mary’s Blues Project, November 18, 2009 — Images and video by kenne
I believe that all the little things in life add up to one’s life. So, it’s important to get them right, otherwise nothing else matters. I’m here to tell you that Ken and Mary Harris have been getting it right for a long time.
They love people and they love the Blues, and for years now have been doing a lot of little things that have been adding up in the form of the “Blues Project.”
Several times a year, Ken and Mary open their home to friends and their guests to experience the best in blues music this side of Texas. Sadly, many have no idea what they are missing, and sometimes it can get lonely in the promise land by yourself.
One of the many musicians who have appeared at Ken and Mary’s Blues Project is Ray Bonneville. Just as Ray may write about a place he has lived, e.g., New Orleans, he is not from there. He is a traveler in other people’s reality, writing stories that serve as a portal to his existence.
“Firefly comin’ this way
a flickering light is to say
time ain’t but this long
here tonight, tomorrow gone.” — from “Goin’ By Feel”
As a fellow traveler in the reality of others, I hope our paths will cross again soon.
Calvin Owens, known for two periods of work as bandleader for blues legend B.B. King, A.J. Murphy who played with 60’s R&B band Archie Bell and the Drells and A.J.s wife Francine. Image by kenne
On Memorial Day I can’t help but think of our dear friends A.J and Francine Murphy and the image that appeared in the Houston Chronicle “Remembering The Fallen” on Memorial Day, 2009. Francine is probably in “quiet reflection” at the US Houston National Cemetery today.
Houston Blues Legend, Little Joe Washington, — 2003 Image by kenne
From the Houston Blues Society’s Newsletter:
On Wednesday afternoon, bluesman Little Joe Washington passed on, leaving a hole in the blues community’s heart that belies his diminutive 5′ 5″ frame. One of Third Ward’s legendary blues guitarists, comprising Albert Collins, Johnny Clyde Copeland, Johnny “Guitar” Watson and Joe “Guitar” Hughes, Little Joe displayed a raw and sparkling talent that earned great respect from his peers.
It’s true to say that he knew more than a few dark days in his 75 years, but with surprising tenacity he’d always bounce back to delight audiences with his virtuoso guitar skills, often finishing his set by running around the room and using his hat for a tip jar before disappearing into the night on a rickety bicycle.
******
Roger Wood wrote of the Third Ward eccentric guitarist in his 2003 book on Houston blues, Down In Houston: Bayou City Blues:
“I first picked up a guitar when I was playing drums with Albert Collins. I taught myself after that,” Washington explains. “I figure it out on my own.” Once he began to experiment with the guitar, however, the diminutive and now perpetually scruffy-looking fellow developed a unique style that is best described as raw and unpredictable — some would say wild. “I play with my teeth, my tongue, my head. I used to hang on the rafters when I was in Old Mexico,” he said.
“. . . Little Joe Washington has evolved into a Houston folk hero of sorts.”
Jonn Richardson, Diunna Greenleaf and Bob Corritore — Image by kenne
We have thought more about Houston lately and our many “blues” friends. Since moving to Tucson from The Woodlands, we have stayed in touch via the Internet, social media and other electronic media. Friday, we learned via Facebook that our good friend, Mary Harris (aka, Ken & Mary of Ken & Mary’s Blues Project) was in the hospital after having a lung collapse — gotta be hard on breathing! The news is good, she is resting and getting better all the time.
Each time we go to Houston visiting family, we tried to include friends, which is not always easy. So, Ken & Mary are a “must see,” because we love them and they are soooo connected to all our blues friends in the Houston area, therefore we try to schedule trips around Ken & Mary’s house concerts. (Sometimes we can only schedule lunch.) We could go on and on with superlatives, but we will let past and future posting on the blues and Ken & Mary do the talking.
When time allows, we stream KPFT on Sunday morning, listening to Mr. & Mrs. V, who we are pleased to say have been a part of our circle of friends for almost as long as we have known Ken & Mary — our circle has grown to include blues in Tucson and Phoenix, with the likes of Marty Kool , KXCI, and all the great blues Bob Corritore brings into Arizona at his “Rhythm Room” in Phoenix.
This morning, we were streaming KPFT, knowing the the V’s would mention Mary’s hospitalization. We stepped away from the computer for a moment, when returning we heard Diunna Greenleaf singing one of our favorite Diunna songs, “Growing Up and Growing Old.” Given Mary’s situation, having heard Diunna sing it on several occasions, plus having the CD, I kept saying to myself, “myself, I thing I videoed her singing this song when she and Jonn were here at Plaza Palomino’s Rhythm & Roots Concert Series, Tucson, Arizona, and the Bisbee Blues Festival. Hoping that I had not lost the clips from their time here in September 2012, my Sunday became an “age like fine wine” project, in more ways than one.
Here’s the video, dedicated to Mary — hope we continue to hear great news on your recovery, Mary!
kenne & joy
“I aspire to inspire, before I expire.”
— Diunna Greenleaf
Ken & Mary’s Blues Project — The Last Waltz
Lady Bikers at an Ice House in East Texas in a “Show Us Your Tits” Contest — Computer Art by kenne
Seduction (Chris Duarte at the Cactus Moon)– Computer Art by kenne
“The Blues Is In the Air” — Computer Art by kenne
Ray Bonneville at Ken & Mary’s Blues Project (November 14, 2009) — Image by kenne
Houston Blues Legend, Little Joe Washington, — 2003 Image by kenne
Jonn Richardson, Diunna Greenleaf and Bob Corritore — Image by kenne
Blues at the Blue Door Biker Bar — Seven Years Out — Image by kenne
