Archive for the ‘Walt Whitman’ Category
A Full Moon Night In The Sonoran Desert — Photo-Artistry by kenne
A Clear Midnight
This is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson done,
Thee fully forth emerging, silent, gazing, pondering the themes thou lovest best.
Night, sleep, death and the stars.
— Walt Whitman
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In this age of coronavirus, we are discovering joy in the minuscule and routine.
I believe a leaf of grass is no less than the journeywork of the stars,
And the pismire is equally perfect, and a grain of sand, and the egg of the wren,
And the tree-toad is a chef-d’oeuvre for the highest,
And the running blackberry would adorn the parlors of heaven,
And the narrowest hinge in my hand puts to scorn all machinery,
And the cow crunching with depressed head surpasses any statue,
And a mouse is miracle enough to stagger sextillions of infidels,
And I could come every afternoon of my life to look at the farmer’s girl boiling her iron tea-kettle and baking shortcake.
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Tucson Clouds Social Distancing — Image by kenne
In ‘I Hear America Singing’ Walt Whitman was celebrating the various songs of his fellow Americans singing as they go about the work: the mechanics, the carpenter, the mason, the boatman, the deckhand, the shoemaker, the hatter, the wood-cutter, the ploughboy, the mother, the ‘young wife at work’, the seamstress or washerwoman.
I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs
The coronavirus has pushed the mute button, silencing our singing and only we can bring it back when again we will hear America Singing,
— kenne
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The Open Road — Image by kenne
“Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me, leading me wherever I choose…
Allons! whoever you are! come forth!
You must not stay sleeping and dallying there in the house, though you built it, or though it has been built for you….
Allons! be not detain’d!…
Allons! the road is before us!”
— Walt Whitman
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Catalina Sunset (View from Mica Mountain of the Santa Catalina Mountains) — Photo-Artistry by kenne
Whatever satisfies the soul is truth.
— Walt Whitman
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Ocotillo and Sparrow — Image by kenne
Simplicity is the glory of expression.
— Walt Whitman
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White Prickly Poppies Have A Natural Crinked Look (Near a High Desert Highway)– Image by kenne
Without
disdain
for the gifts
of the earth,
the capital’s
abundant curves,
or the purple
initial
of wisdom,
you
taught me
to be an American,
you lifted my eyes
to books,
toward
the treasure
of the grain:
broad poet,
across the
clarity
of the plains,
you made me see
the high mountain
as my guardian.
Out of the subterranean
echo
you collected
everything
for me,
everything that grew,
you gathered the harvest
galloping through the alfalfa,
cut the poppies for me,
followed the rivers
to arrive in the kitchen
by afternoon.
— from Ode to Walt Whitman by Pablo Neruda
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Last night the Montgomery County Literary Arts Council held its annual Walt Whitman Birthday Party Celebration. Having been part of the first Writers in Performance series Whitman Celebration, to say I miss not being there would be an understatement. So, I’ve gone back to my archives to share the celebration from ten years ago.
— kenne
Whitman’s Birthday Party Comes Early This Year (May 1, 2008)
What started with only a hand-full of people gathering at Barnes & Nobel bookstore each May 30th to read their favorite Walt Whitman poems and share a birthday cake, has now evolved into notably “the” Whitman birthday party. Yet many in our community who love Whitman’s poetry would not expect the Montgomery campus of Lone Star College and a small group of Parsons disciples, (the Montgomery County Literary Arts Council) to attract a notable list of Whitman experts and Houston area poets to present a symposium/birthday party on Whitman’s work and the man. Therefore, I was not surprised when after receiving information (Walt Whitman, 2008 Panel) sent to a friend on the May 1st event would reply, “. . . I’m impressed! You have people who were
- Dave Parsons
part of the April 14th PBS American Experience on Walt Whitman — right here in
Montgomery County, Texas? But then, if you know Dave Parsons, “Why not?”
Dave’s passion for Whitman, and poetry, in general, continue to be the driving force behind this annual event. So, no wonder this year’s party was unquestionably the best. As has been the practice the last few years, the event begins in the afternoon on the Lone Star College campus with a panel presentation and discussion, followed in the evening with the birthday party celebrating his poetry. This year the party took place at Cornelli’s Villa Italia restaurant on the square in Conroe. Continuing the tradition, over twenty published poets, creative writing professors and community literary leaders read their favorite Walt Whitman poems. Additionally, this year Dave arranged for the performance of Whitman’s favorite Opera selections. 
For the first time, to coordinate the event timing with the spring schedule, presenters, and the party location, the party event was moved ahead by almost a month. Although some may question moving the party to Cornelli’s Villa Italia from the Corner Pub, just down the street, all would agree, Walt would be at home at either location.
kenne
(Courier Article — whitmanpartyarticle)
See more photos here.
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This image was taken in the Cox Butterfly & Orchid Pavilion by kenne
On this day after election day, 2016, I am surrounding myself with beauty and Whitman. If we think we just experienced a bitter campaign focusing in the candidate’s shortcoming, then you need to read Whitman’s poem, Election Day, November, 1884 — The more things change, the more they remain the same.
ELECTION DAY, NOVEMBER, 1884.
If I should need to name, O Western World, your powerfulest
scene and show,
‘Twould not be you, Niagara—nor you, ye limitless prairies—nor
your huge rifts of canyons, Colorado,
Nor you, Yosemite—nor Yellowstone, with all its spasmic geyser-
loops ascending to the skies, appearing and disappearing,
Nor Oregon’s white cones—nor Huron’s belt of mighty lakes—
nor Mississippi’s stream:
—This seething hemisphere’s humanity, as now, I’d name—the
still small voice vibrating—America’s choosing day,
(The heart of it not in the chosen—the act itself the main, the
quadriennial choosing,)
The stretch of North and South arous’d—sea-board and inland
—Texas to Maine—the Prairie States—Vermont, Virginia,
California,
The final ballot-shower from East to West—the paradox and con-
flict,
The countless snow-flakes falling—(a swordless conflict,
Yet more than all Rome’s wars of old, or modern Napoleon’s:)
the peaceful choice of all,
Or good or ill humanity—welcoming the darker odds, the dross:
—Foams and ferments the wine? it serves to purify—while the
heart pants, life glows:
These stormy gusts and winds waft precious ships,
Swell’d Washington’s, Jefferson’s, Lincoln’s sails.
— Walt Whitman
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Beebalm Wildflower (Oracle Ridge Trail, August 5, 2016)– Image by kenne
I’m reading Whitman this morning and one my favorite selections is the first stanza in
“Out of the Cradle Endlessly Rocking,” one sentence, twenty-two lines long.
Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child
leaving his bed wander’d alone, bareheaded, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows twining and twisting as if
they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and
fallings I heard,
From under that yellow half-moon late-risen and swollen as if
with tears,
From those beginning notes of yearning and love there in
the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.
— Walt Whitman
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A trail near Rose Canyon Lake in the Santa Catalina Mountains — Computer Painting by kenne
Baby come walk with me
around the lake
where I will do
anything for you —
delaying not, hurrying not.
Baby come walk with me
around the lake
where no previous day
will be like this —
delaying not, hurrying not.
Baby come walk with me
around the lake
sharing moments of bliss
and transcendental longings —
delaying not, hurrying not.
Baby come walk with me
around the lake
reading Wallace Stevens
and escape by metaphor —
delaying not, hurrying not.
Baby come walk with me
around the lake
outlining the contours
of our experience —
delaying not, hurrying not.
Baby come walk with me
around the lake
creating our own cosmos
resembling the Creation —
delaying not, hurrying not.
— kenne
(“delaying not, hurrying not” from Leaves of Grass by Walt Whitman)
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Abstract Universe — Image by kenne
(I share this Whitman poem for the third time in the history of “Becoming is Superior To Being” blog because it’s very good and I love it.)
Kosmos
Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of
the earth, and the great charity of the earth and the equilibrium also,
Who has not look’d forth from the windows the eyes for nothing, or
whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic
lover,
Who holds duly his or her triune proportion of realism, spiritualism,
and of the æsthetic or intellectual,
Who having consider’d the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body understands
by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these States;
Who believes not only in our globe with its sun and moon, but in other
globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day but for
all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.
— Walt Whitman
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“A View of the Kosmos”– Photo-Artistry by kenne
Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the great charity of the earth and the equilibrium also,
Who has not look’d forth from the windows the eyes for nothing, or whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic lover,
Who holds duly his or her triune proportion of realism, spiritualism, and of the æsthetic or intellectual,
Who having consider’d the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these States;
Who believes not only in our globe with its sun and moon, but in other globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.
— Walt Whitman
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Sabino Canyon B&W Winter Scene — Image by kenne
Great is the Earth, and the way it became what it is;
Do you imagine it has stopt at this? the increase abandoned?
Understand then that it goes as far onward from this,
as this is from the times when it lay in covering waters and gases,
before man had appeared.
— Walt Whitman
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“Roses” — Abstract Art by kenne
(You distant, dim unknown—or young or old—countless, un-
specified, readers belov’d,
We never met, and ne’er shall meet—and yet our souls embrace,
long, close and long;)
— from “Thanks In Old Age” by Walt Whitman
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