VAN MORRISON, 1972 – Another outtake from the Saint Dominic’s Preview album cover session. Source: http://www.michaelmagic.com/
Van Morrison’s “Listen to the Lion” captures his unique style taking you from a smooth, soulful sound to suddenly lifting you above the moment, then softly bringing you back down.
In 2010 we experience our first Sonoran Desert monsoon season. There was lots of rain, wind and lightning. This year’s monsoon season has been a nonsoon! So far we have had only 2 inches of rain. This weekend’s forecast was for heavy rains and flash flooding — somebody stole our rain!
So, for this monsoon season the best I can do is revisit an August 31, 2010 posting. — kenne
Catalina Foothills, Tucson, Arizona — image by kenne
During this summer’s rainy season, many storms have provided much-needed rain to southern Arizona. However, when it comes to rainfall, not all areas are treated equally. We had received little rain till the other evening, so when the rain began, it was a time to rejoice. So much is special about the desert. I wrote a poem and produced a video. You can read the poem below and/or in the video.
Desert’s Rainy Season
Desert’s rainy season is A product of summer highs Mixed with atmosphere lows Bringing a refreshing brief break To her blue-skied summer heat
Desert’s wide-open spaces Provide panoramic views Showcasing threatening clouds Only too often breakup Before reaching your sky
Welcoming rains come Only at Desert’s well Playing havoc with forecasters Never seeming to learn She does not keep time
Wind shaking the trees, Olive, palo verde and mesquite Shadowed by rains wetness Shining with each lightning flash While drinking of life’s fountain
Olives falling from twisted branches Rolled by wind over wet flagstones Pounding rain leaving behind puddles As rainwater exits through openings In old pueblo walls
Wind chimes dance wildly Ringing out in nervous joy Desert’s unlocked sounds Composing a melodic refrain Proclaiming Desert’s delight
My good friend Tom Marley recently introduced me to Cavafy’s poetry.Â
“The poet makes a personal yet universal confession about the walls that bring suffocation to his life.
These walls are related to the social structure, the economy, religion, and much more.
The worst thing is not the existence of these walls, of these limitations of the free development
but the fact that the walls were created before us, so we cannot even notice
their existence and fight against them.”
Walls
With no consideration, no pity, no shame,
they have built walls around me, thick and high.
And now I sit here feeling hopeless.
I can’t think of anything else: this fate gnaws my mind –
because I had so much to do outside.
When they were building the walls, how could I not have noticed!
But I never heard the builders, not a sound.
Imperceptibly they have closed me off from the outside world.
When I am an old woman I shall wear purple With a red hat which doesn’t go, and doesn’t suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we’ve no money for butter. I shall sit down on the pavement when I’m tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick flowers in other people’s gardens And learn to spit.
You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers.
But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.
The Helga Pictures Poster Has Been On Our Bedroom Wall For Over 32 Years — Photo-Artistry by kenne
Christina’s World–Source: Wikipedia
For most of the 80s and 90s, we subscribed to Newsweek. In August of 1986, Andrew Wyeth and his “The Helga Pictures” was on the cover.
Having loved Wyeth’s art since the first time I saw Christin’s World, I loved the series.
In the late 80s, we bought a poster of one
of The Helga Pictures while at the
Museum of Fine Arts, Houston. Ever since then, the framed poster has been on our bedroom wall.
If you love Andrew Wyeth’s work, you will find “Michael Palin in Wyeth’s World,” produced by BBC very informative and enjoyable.
Pee Wee Stephens, Pete Mayes, Grady Gaines, Calvin Owens, Joe “Guitar” Hughes,
and I don’t know the gentleman playing bass on the stage at Billy Blues (1999)
— Image by kenne
During our time living in the Houston area, Joy and I were very much into live music, especially the blues. Although there are still plenty of blues venues, many have passed with time. One such place was Billy Blues, on Richmond Avenue on Houston’s trendy westside. Regional and nationally known blues musicians played there for about seven years. Known for its 63-foot-tall saxophone made of Volkswagen Beetle parts and beer kegs, the venue never seemed to capture the same blues feeling of clubs in Houston’s working-class 3rd and 5th Ward communities. “I love the blues. It’s a feeling,” Martha Turner said to Roger Wood in his book Down In Houston: Bayou City Blues. “You got to feel a song, you know. When a person comes into a club to see you, they enjoy your expression, not so much as what you’re singing. They watch your face.”
“You watch this person sing a song,
and it’s almost like you’re doing it yourself.
Know what I’m talking about?
You enjoy that blues.
The Blues is something you can identify with.” (Martha Turner)
During these trying times, what better way of coming together than with The Blues, and Buddy Guy reminds us,
“. . . you treat everybody just the way you want them to treat you.”
— kenne
Lyrics
I've been around a while
I know wrong from right
And since a long time ago
Things been always black and white
Just like you can't judge a book by the cover
We all gotta be careful
How we treat one another
I say
Skin deep, skin deep
Underneath we all look same
Skin deep, skin deep
Underneath, don't we all look the same?
A man in Louisiana
He never called me by my name
He said "boy do this and boy do that"
But I never once complained
I knew he had a good heart
But he just didn't understand
That I needed to be treated
Just like any other man
Skin deep, skin deep
Underneath, don't we all look the same?
Skin deep, skin deep
Underneath we all look the same
I sat my little child down
When he was old enough to know
I said "I fear in this big wide world
You're gonna meet all kinda folks"
I said "Son it all comes down to just one simple rule
That you treat everybody just the way
You want them to treat you"
Skin deep, skin deep
Underneath, don't we all look the same?
Skin deep, skin deep
Underneath we all look the same
Skin deep, skin deep
Underneath, don't we all look the same? Yeah
Skin deep, skin deep
Underneath we just all look the same (the same, yeah)
Skin deep (treat everybody), skin deep
Skin deep, skin deep
All look, all look the same
Skin deep, skin deep
Don't we all look the same?
Joy with Grandchild Audry and James In San Antonio, April 2009 — Image by kenne
In the previous posting “Ready To Start Going Places” I used an image of the San Antonio River Walk which brought to mind a video I produced of our spring vacation in April 2009.
A Teacher’s Teacher: Ellis Marsalis (November 14, 1934, April 1, 2020) Image Source: Chicago TribuneÂ
All of us reach an age when it seems like every day someone of our generation dies, even more now with the COVID-19 pandemic. Sadly, on April 1, a giant in education and jazz became one of the numbers in the current pandemic.Â
In the 1980s, Ellis Marsalis, with his sons, became the fresh new face to a resurgence of jazz in the last decades of the 20th century. “My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis said in a statement. “He poured everything he had into making us the best of what we could be.”
Ellis Marsalis had a light and graceful touch at the piano, allowing his enter fellings to pour out like a gentle flowing mountain stream. He had held a weekly gig for decades at Snug Harbor, one of New Orleans’s premier jazz clubs, before giving it up in December.Â
The New Times critic, Stephen Holden wrote: “Sticking mainly to the middle register of the keyboard, the pianist offered richly harmonized arrangements in which fancy keyboard work was kept to a minimum and studious melodic invention, rather than pronounced bass patterns, determined the structures and tempos.”
One of my favorite Cole Porter songs done superbly by Ellis and his son Branford.
SCVN President, Phil Bentley Teaching a Kindergarten Class In Sabino Canyon — Image by kenne
As Sabino Canyon Volunteer Naturalists (SCVN), we are not currently offering nature education programs to school children and the public because of the coronavirus. However, individually we are in the canyon, encouraging everyone to spend time outdoors.
This morning naturalist Nancy Wilkenson, who teaches in our kindergarten program, did this short virtual nature walk encouraging people to come out to the canyon. Nature is always open!
The Rhythm Room, Phoenix, Arizona (February 28,2020) — Photo-Artistry by kenne
It’s been several years since we have seen our good friend Diunna Greenleaf live.
So, when we learned that she was going to appear at The Rhythm Room in Phoenix,
On February 28th, we made plans.Â
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