Texas Two Step — Photo-Artistry by kenne
— Joseph Mitchell
Fishing Boats Docked at Galveston Bay, Texas — Image by kenne
[Verse 1]
Sittin’ in the mornin’ sun
I’ll be sittin’ when the evenin’ come
Watching the ships roll in
And then I watch ’em roll away again, yeah
[Chorus]
I’m sittin’ on the dock of the bay
Watching the tide roll away
Ooo, I’m just sittin’ on the dock of the bay
Wastin’ time
[Verse 2]
I left my home in Georgia
Headed for the ‘Frisco bay
‘Cause I’ve had nothing to live for
And look like nothin’s gonna come my way
[Chorus]
So I’m just gonna sit on the dock of the bay
Watching the tide roll away
Ooo, I’m sittin’ on the dock of the bay
Wastin’ time
[Bridge]
Look like nothing’s gonna change
Everything still remains the same
I can’t do what ten people tell me to do
So I guess I’ll remain the same, yes
[Verse 3]
Sittin’ here resting my bones
And this loneliness won’t leave me alone
It’s two thousand miles I roamed
Just to make this dock my home
[Chorus]
Now, I’m just gonna sit at the dock of the bay
Watching the tide roll away
Oooo-wee, sittin’ on the dock of the bay
Wastin’ time
[Outro]
*Whistling*
Sunday Afternoon At Gruene Hall — Photo-Artistry by kenne
‘The Place’
Gruene Hall took on the mantel
‘Texas’s Oldest Dance Hall’
after Hurricane Katina destroyed
the Double Bayou Dance Hall in 2007
locally called ‘The Place’ for 65 years —
there was blues in this place
music by the people for the poor
served up with beer and bar-b-q
— kenne
Double Bayou Dance Hall (‘The Place’)
Full Moon Over Double Bayou — Photo-Artistry by kenne
– Carl Sandburg
Raising Funds For The Friends of The Blues (09/06/02) — Images by kenne
Jack “Old Jules” Purcell — Photo-Artistry by kenne
In June of 2006 Old Jules wrote on his blog So Far From Heaven “The More It Stays The Same.”
I hadn’t watched Easy Rider (Peter Fonda, Dennis Hopper and Jack Nicholson, circa 1968) in three decades.
When I saw it again this past weekend I appreciated it again for the first time:
Nicholson: You know, this used to be a helluva good country. I can’t understand what’s gone wrong with it.
Hopper: Huh. Man, everybody got chicken, that’s what happened, man. Hey, we can’t even get into like, uh, second-rate hotel, I mean, a second-rate motel. You dig? They think we’re gonna cut their throat or something, man. They’re scared, man.
Nicholson: Oh, they’re not scared of you. They’re scared of what you represent to ’em.
Hopper: Hey man. All we represent to them, man, is somebody needs a haircut.
Nicholson: Oh no. What you represent to them is freedom.
Hopper: What the hell’s wrong with freedom, man? That’s what it’s all about.
Nicholson: Oh yeah, that’s right, that’s what it’s all about, all right. But talkin’ about it and bein’ it – that’s two different things.
I mean, it’s real hard to be free when you are bought and sold in the marketplace.
‘Course, don’t ever tell anybody that they’re not free ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are.
Oh yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom, but they see a free individual, it’s gonna scare ’em.
Hopper: Mmmm, well, that don’t make ’em runnin’ scared.
Nicholson: No, it makes ’em dangerous.
Three young men searching for America who found it wasn’t what they bargained for.
Jack
Double Bayou Dancehall (October 19, 2002) — Photo-Artistry by kenne
DOUBLE BAYOU, THAT IS
— kenne
Note: Click on the Double Bayou Dancehall below the top image
to see a video on the history of dancehall.
Computer Art by kenne
Years ago, my friend Lindy and I were driving in
Central Texas to conduct a teacher in-service
when we saw an “Entering Mexia” sign.
Not being from Texas, I said, “Oh! We are
entering Mex-ee-uh.”
“No, you Yankee! That’s Mu-hay-uh,” she said.
We kept arguing, and finally, we decided to
settle the argument by stopping at the first
place we came to, go inside and ask a
local citizen. We went in, and I asked the girl
behind the counter to very slowly pronounce
the name of the place. She said,
“D-A-I-R-Y-Q-U-E-E-N.”
The Double Bayou Dance Hall, “The Place”, where you could get good smoke brisket
and local women offered homemade pecan, lemon meringue and sweet potato pies. (October 19, 2002) — Image by kenne
Break Between Sets at the Double Bayou Dance Hall, “The Place” (May 25, 2003) — Image by kenne
Dave Pierce — Images & Video by kenne
April 12, 2009 Dave had friends and family over for a crawfish boil, after which he played guitar and sang some of his songs. One of the songs was the recently written, “You Can’t See Main Street from Wall Street.”
Early Morning in Ft. Stockton, Texas — Images by kenne
Slideshow of images driving icy roads in west Texas, January 3, 2015.
The Woodlands, Texas, October 10, 2004 — Images by kenne
(CLICK ON ANY OF THE IMAGES TO SEE A LARGER VIEW IN A SLIDESHOW FORMAT.)
After Virginia passed away this past April, I began going through photos to have in a video. I thought I had identified all family images with her, however, recently I was looking for an old document and discovered untitled images misfiled in a folder, “Master Plan ISD.” I wonder how many others I may have misfiled.
— kenne
Billy Joe Shaver, Conroe, Texas (June 3, 2006) — Image by kenne
I was listening to NPR this morning and there was a segment on one of my favorite country singer/songwriters, Billy Joe Shaver. His songs are probably better known than he is — Billy Joe Shaver Writes Country Songs — And Lives Them, Too. If you didn’t hear the segment, click on the segment title — he’s real country!
If you want to get even more of a feel for who is Billy Joe Shaver, watch the following video:
Somedays, the hillbilly in me just comes out — like I can’t help it.
kenne
East Texas Blues (Ken & Mary’s Blues Project, August 20, 2005) — Image by kenne
— from “Lone Star Blues” lyrics by Delbert McClinton
Surfing Off The Galveston Island Seawall — Image by kenne
Alms for the Shore
