
‘Her Mother’s Nuns’ — Art by Katie Turner Bailey
(This art was a gift from Kate in 1999 and still hangs on one of our walls. This is a digital copy of her original art.)
Art washes away from the soul the dust of everyday life.
― Pablo Picasso
‘Her Mother’s Nuns’ — Art by Katie Turner Bailey
(This art was a gift from Kate in 1999 and still hangs on one of our walls. This is a digital copy of her original art.)
― Pablo Picasso
Pablo Picasso. “The Old Guitarist,” Helen Birch Bartlett Memorial Collection.
© 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
I
The man bent over his guitar,
A shearsman of sorts. The day was green.
They said, “You have a blue guitar,
You do not play things as they are.”
The man replied, “Things as they are
Are changed upon the blue guitar.”
And they said then, “But play, you must,
A tune beyond us, yet ourselves,
A tune upon the blue guitar
Of things exactly as they are.”
II
I cannot bring a world quite round,
Although I patch it as I can.
I sing a hero’d head, large eye
And bearded bronze, but not a man,
Although I patch him as I can
And reach through him almost to man.
If to serenade almost to man
Is to miss, by that, things as they are,
Say that it is the serenade
Of a man that plays a blue guitar.
III
Ah, but to play man number one,
To drive the dagger in his heart,
To lay his brain upon the board
And pick the acrid colors out,
To nail his thought across the door,
Its wings spread wide to rain and snow,
To strike his living hi and ho,
To tick it, tock it, turn it true,
To bang it from a savage blue,
Jangling the metal of the strings…
— from Man With The Blue Guitar by Wallace Stevens
Source: Transforming Vision; Writers On Art — Edward Hirsch
Lesser Goldfinch — Image by kenne
Sonoran Sunset — Photo-Artistry by kenne
— Pablo Picasso
“Live Covering Death” — Image by kenne
Now that I have more time to search for a source of inspiration larger than or outside of myself, I desire to generate creative expression my combining poetry and visual art. It is not always easy to tease out the imagination in words or a visual image, but when combined one may be able to create analogous worlds. Edward Hirsch, in Transforming Vision stated that this process is similar to what Robert Frost called “counter-love, original response.”
The Most of It
He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree–hidden cliff across the lake.
Some morning from the boulder–broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter–love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff’s talus on the other side,
And then in the far distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush—and that was all.
— Robert Frost
PS: I find inspiration in visual images, whether my own or that of others, from which I try to blend visual and verbal eloquence. One of the best examples of inspiration from visual art is Wallace Stevens “Man with the Blue Guitar” on Pablo Picasso’s “The Old Guitarist.”