His eyes did not close
When he saw the horns near,
But the terrible mothers
Lifted their heads.
And across the ranches
Went a breath of secret voices
By which the herdsmen of the pallid mist
Called to their heavenly bulls.
— from Lament for Ignacio Sanchez Mejias by Federico García Lorca
The trip began at 7:30 am after loading up the South of the Border Tours motorcoach in the SARA parking lot near Sabino Canyon, stopping to pick up Gloria Giffords in South Tucson and guide Greg Scott in Nogales. Our tour leader and bus driver for the next six days was Stephen Bernier, president of South of the Border Tours.
Throughout the trip to Alamos, which was during the 32nd Music Festival Alfonso Ortiz, Greg was our cultural interpreter/guide and Gloria, art conservator and historian, specializing in Spanish colonial art and architecture shared her knowledge and experience, as well as her love for pleine-air painting.
Once in Alamos, Stephanie Meyer, resident, field trained biologist, birder and longtime guide for Stephen’a Alamos tours, shared her knowledge and interpretation of Mexico’s mestizo and indigenous cultures.
Traveling with us and preforming several times throughout the trip was the Ronstadt Generations (Michael Ronstadt, Petie Ronstadt and Alex Flores) who presented an exciting repertoire of traditional and new Southwestern and Mexican songs of their heritage with beautiful harmonies sung in English and Spanish.
I have over 400 photos and several videos I will be sharing, some on this blog, but most will be linked to my Flickr account. If you are interested in receiving an email on future posting, click Follow Becoming is Superior to Being. (You can scroll down all the postings by clicking on the blog page header.)
North of Nogales
Immigration in Nogales
Statue in Hermosillo
Church in Hermosillo
Church in Hermosillo
Image from the Motorcoach
Image from the Motorcoach
Image from the Motorcoach
Lunch
Rest Break in Hermosillo
Signage Along The Way
Tosh Feeding Dog at Hermosillo Rest Break
Images by kenne (Click on any of the tiled images to see a larger view in a slideshow format.)
Last Wednesday we went to Nogales, Sonora and Patagonia and Sonoita in southern Arizona. Along the way, we visited the Mission San José de Tumacácori. Father Eusebio Francisco Kino established the mission in January, 1692. Originally called San Cayetano de Tumacácori, the mission was established at an existing native O’odham or Sobaipuri settlement on the east side of the river. After the Pima rebellion of 1751, the mission was moved to the present site on the west side of the Santa Cruz river and renamed San José de Tumacácori. Preservation and stabilization efforts began in 1908 when the area was declared a National Monument by President Theodore Roosevelt and continue today.
kenne
(Click on any of the photo thumbnails to see large view.)
Nogales, Arizona & Nogales, Sonora — Image by kenne
“In a lifetime of crossing borders I find this pitiless fence the oddest frontier I have ever seen —
more formal than the Berlin Wall, more brutal than the Great Wall of China,
yet in its way just as much an example of the same folie de grandeur.
Built just six months ago, this towering, seemingly endless row of vertical steel beams
is so amazing in its conceit you either want to see more of it, or else run in the opposite direction —
just the sort of conflicting emotions many people feel when confronted with a peculiar piece of art.”
— Paul Theroux, Ny Times, “The Country Just Over the Fence”
Nogales, Arizona & Nogales, Sonora — Image by kenne
“In a lifetime of crossing borders I find this pitiless fence the oddest frontier I have ever seen —
more formal than the Berlin Wall, more brutal than the Great Wall of China,
yet in its way just as much an example of the same folie de grandeur.
Built just six months ago, this towering, seemingly endless row of vertical steel beams
is so amazing in its conceit you either want to see more of it, or else run in the opposite direction —
just the sort of conflicting emotions many people feel when confronted with a peculiar piece of art.”
— Paul Theroux, Ny Times, “The Country Just Over the Fence”
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