Although flowers bloom it’s awkward to say that they are flowers because they are not flowers, but thorns disguised as yellow pistils and stamens surrounded by the petals made of pieces of colorless paper. Moreover, their fragrance bears no meaning at all because t hey bloom in the night,
and each time when the scorching sun brands the cactus’ skin it cries out loud from the pain of the thorns pierced through it’s burning flesh to form renewed skin, then, surprised by a heartrending cry, the birds flap their wings to fly in the air abandoning the cactus.
Living in a wide landscape are the flowers – Rosenberg I only repeat what you were saying – the shell and the hawk every hour are slaying men and jerboas, slaying
the mind: but the body can fill the hungry flowers and the dogs who cry words at nights, the most hostile things of all. But that is not news. Each time the night discards
draperies on the eyes and leaves the mind awake I look each side of the door of sleep for the little coin it will take to buy the secret I shall not keep.
I see men as trees suffering or confound the detail and the horizon. Lay the coin on my tongue and I will sing of what the others never set eyes on.
— Keith Douglas
(“Succinct but mysterious, Desert Flowers belongs to a liminal state between sleeping and waking, night and day. It seems to open and close: first, to look outwards at the “wide landscape” and then to turn to the unconscious desires where poetry – even the starkest war poetry – is generated. There’s a convalescent quality of memories being reviewed in quiet darkness, and energies gathered.” Keith Douglas was considered the most talented – and overlooked – poet of the Second World War.)