
Swampy Area of East End Park, Kingwood, Texas (December 28, 2022) — Image by kenne
The world still grows it grows relentlessly
And yet there is always less of it
— from The Old Painter on a Walk Adam Zagajewski
Swampy Area of East End Park, Kingwood, Texas (December 28, 2022) — Image by kenne
— from The Old Painter on a Walk Adam Zagajewski
Artist Painting In Sabino Canyon — Photo-Artistry by kenne
In The Beauty Created By Others
— Adam Zagajewski
Sam Houston Park in Houston — Image by kenne
— from HOUSTON, 6 P. M. by Adam Zagajewski
Costa’s Hummingbird Outside Kitchen Window – Image by kenne
Don’t Allow the Lucid Moment to Dissolve
Red-bellied Woodpecker (Kingwood, Texas) — Image by Hugh Poland
Stary Sacz
Robert Pinsky wrote in The New Republic: “[In the poetry of Adam Zagajewski] the unmistakable quality
of the real thing–a sunlike force that wilts clichés and bollixes that categories of expectation–
manifests itself powerfully . . . Like a fish breaking water . . . the achievement of these poems [“Without End”]
is partly in that act of rising above a lived-in element. In Zagajewski’s work, the engulfing, ferocious
historical reality appears as our habitat–not a well of horrors to be borrowed for rhetorical thunder,
not an occasion for verse punditry, not a mere backdrop for sensibility. And the perception of that habitat
has a mysterious, elating power.”
‘Weed’ On the Patio — Photo-Artistry by kenne
I have subscribed to The New Yorker for years and find it helpful to see things from different perspectives; some I like, some I don’t. Many great writers, some of which I agree with, some I don’t. It’s all a matter of perspective, which is what this poem is all about — It’s only boogie-woogie.
BOOGIE-WOOGIE
You shout from the other room
You ask me how to spell boogie-woogie
And instantly I think what luck
no war has been declared
no fire has consumed
our city’s monuments
our bodies our dwellings
The fiver didn’t flood
no friends
have been arrested
It’s only boogie-woogie
I sign relieved
and say it’s spelled just as it sounds
boogie-woogie
— Adam Zagajewski (The New Yorker, July 5, 2021)