“Somewhere Over The Rainbow . . .” — Image by Phil Bentley
Empty spaces ain’t nothing new
Rainbows ain’t something that you hold on to
They move out as the storm moves through
And empty spaces ain’t nothing new
— from Empty Spaces, by Mary Gauthier
“Somewhere Over The Rainbow . . .” — Image by Phil Bentley
— from Empty Spaces, by Mary Gauthier
Until my brother, Tom, stop sending emails in 2010, many of the titles would read “The ‘blank’ is in the well,” and the message would include this cat image. We never talked about the image or the use of the phase, but he used them often as a preface to the message and a reflection of his condition.
In an October 16, 2009 email titled, “Cat’s In The Well” he wrote:
Your blog was splendidly poetic….(Visually and Verbally)!!!! Such a graceful turning inward and reflecting on two brothers and kindred spirits
…..
I love yah
Talk to you very soon![]()
t.
Again, I would think about the phase and the why he would use it, e.g., “Photography is in the Well with the Cat.”
One can gather all kinds of meaning from the image and the phase, but it wasn’t till one day while running and listening to Bob Dylan on my iPad and I heard, “The cat’s in the well, the wolf is looking down.”
“That’s it!” I thought, maybe this was the connection, Dylan’s “Cat In The Well.”
The cat’s in the well, the wolf is looking down
The cat’s in the well, the wolf is looking down
He got his big bushy tail dragging all over the ground
The cat’s in the well, the gentle lady is asleep
Cat’s in the well, the gentle lady is asleep
She ain’t hearing a thing, the silence is a-stickin’ her deep
The cat’s in the well and grief is showing its face
The world’s being slaughtered and it’s such a bloody disgrace
The cat’s in the well, the horse is going bumpety bump
The cat’s in the well, and the horse is going bumpety bump
Back alley Sally is doing the American jump
The cat’s in the well, and Papa is reading the news
His hair’s falling out and all of his daughters need shoes
The cat’s in the well and the barn is full of bull
The cat’s in the well and the barn is full of bull
The night is so long and the table is oh, so full
The cat’s in the well and the servant is at the door
The drinks are ready and the dogs are going to war
The cat’s in the well, the leaves are starting to fall
The cat’s in the well, leaves are starting to fall
Goodnight, my love, may the Lord have mercy on us all
The theme of the song is apocalyptic — very mythological. The cat’s in the well and there’s just no escape.
Goodnight, Tom, may the Lord have mercy on you. Although broken and mangled, you were one “cool cat.”
kenne
Thanksgiving Still Life — Photo-Artistry by kenne
— from “A Song of the Rolling Earth” by Walt Whitman
Violet and Grandpa Tom — Computer Painting by kenne
Invoking the Full Meaning of Life
kenne

Dedicated to Brother Tom (RIP) and Daughters, Vanessa and Lisa — Images by kenne
Marcy Now
— Mary Gauthier
Computer Painting by kenne
kenne and bobby — images by joy & kenne
kenne and bobby
— e.e. cummings
My brother first shared this poem October 14, 2005, which was E. E. Cummings birthday.
Still-life Image by kenne
— Wallace Stevens
We shared a lot; poetry, philosophy, music and a lot of bullshit. Here’s one music example.
In Memory of Brother Tom/Bob, One of His Favorite Poems.
Thomas Robert Turner (2000) Image by kenne
Diamonds and Rust
Well, I’ll be damned
Here comes your ghost again
But that’s not unusual
It’s just that the moon is full
And you happened to call
And here I sit
Hand on the telephone
Hearing a voice I’d known
A couple of light years ago
Heading straight for a fall
As I remember your eyes
Were bluer than robin’s eggs
My poetry was lousy you said
Where are you calling from?
A booth in the Midwest
Ten years ago I bought you some cufflinks
You brought me something
We both know what memories can bring
They bring diamonds and rust
Well, you burst on the scene, already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The Madonna was yours for free
Yes, the girl on the half-shell
Could keep you unharmed
Now I see you standing with brown leaves falling around
And snow in your hair
Now you’re smiling out the window of that crummy hotel
Over Washington Square
Our breath comes out white clouds
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there
Now you’re telling me you’re not nostalgic
Then give me another word for it
You who are so good with words
And at keeping things vague
‘Cause I need some of that vagueness now
It’s all come back too clearly
Yes, I once loved you dearly
And if you’re offering me diamonds and rust
I’ve already paid
— Joan Baez
Mother (Agnes), with sons Kenne and Tom (Bobby), and Tom’s daughters Lisa and Vanessa
— Late 80’s image in Seattle by Joy
Susan Sontag — Regarding the Pain of Others
Photography obsessed Sontag and became the subject for two of her best books. Her preoccupation with photography is the single clearest example of her shifting a previously disregarded mass medium into the realm of acceptable highbrow discussion. The photograph, in her view, had changed the mechanics of memory. Our minds, she argued, no longer stored narrative; they stockpiled images. “The problem,” she wrote in Regarding the Pain of Others, “is not that people remember through photographs, but that they remember only photographs.” And in a way, that sentence anticipated her obituaries, which dwelled at length on the many photographs of Sontag.
— from a profile on Susan Sontag, Susan Superstar in the New York Magazine
Tom Turner (Seattle, June 12, 2000) — Image by kenne
Poverties, Wincings, and Sulky Retreats
Ah poverties, wincings, and sulky retreats,
Ah you foes that in conflict have overcome me,
(For what is my life or any man’s life but a conflict with foes,
the old, the incessant war?)
You degredations, you tussle with passions and appetites,
You smarts from dissatisfied friendships, (ah wounds the
sharpest of all!)
You toil of painful and choked articulations, you meannesses,
You shallow tongue-talks at tables, (my tongue the shallowest of
any;)
You broken resolutions, you racking angers, you smother’d
ennuis!
Ah think not you finally triumph, my real self has yet to come
forth,
It shall yet march forth o’ermastering, till all lies beneath me,
It shall yet stand up the soldier of ultimate victory.
— Walt Whitman
Tom sent this Whitman poem to me the day before my 65th birthday — “I knew you would like it.”
He was correct!
Thomas Robert Turner, May 23, 1942 – November 13, 2014
I love you, Bobby!
— from the poem STOIC, by Lawrence Durrell
Children Pouring Water Fountain — Image by kenne
“Dance with Me, Baby!” (March 2006) — Image by kenne
— from “Dance With Me”, written by Schack, Carsten / Karlin, Kenneth / Knowles, Beyoncé.
Life is not to be passed by in a rush.
— Tom Turner
*****
Progress is measured
by richness and intensity of experience –
by a wider and deeper apprehension
of the significance and scope of human existence.
*****
Art is an indecent exposure of the consciousness.
— Herbert Read
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